Affinity Photograph 2 presents highly effective modifying capabilities at a fraction of Adobe’s subscription value, making it an more and more standard selection for photographers seeking to break away from month-to-month funds with out sacrificing modifying energy.
Coming to you from Anthony Morganti, this sensible video walks by the fundamentals of modifying a uncooked file in Affinity Photograph 2’s develop persona. Morganti clearly demonstrates how the interface differs from Photoshop and Lightroom, highlighting that Affinity capabilities extra like Photoshop with its persona-based strategy quite than Lightroom’s module system. The management structure may really feel acquainted to photographers who used Lightroom 3, as some changes like publicity, brightness, and distinction work equally. Nonetheless, you will must adapt to the absence of devoted whites and blacks sliders, as a substitute working with publicity, black level, and brightness controls to attain related outcomes. The readability, vibrance, and saturation sliders perform predictably, providing acquainted changes to your photographs.
The lens corrections in Affinity Photograph 2 work robotically with native camera-lens combos however require guide choice for third-party lenses. Morganti exhibits how one can navigate the intensive lens profile record when utilizing a Sony camera with a Sigma lens, mentioning that in contrast to Lightroom, lens corrections do not robotically take away vignetting – you will want to use that individually. The noise discount and sharpening instruments within the particulars tab carry out impressively, with Morganti noting that the sharpening algorithm offers sensible outcomes with out the oversharpened look that may plague edited photographs. The overlay instruments enable for focused changes utilizing brushes or gradients, much like Lightroom’s native adjustment instruments however with a distinct workflow.
When ending an edit, Affinity Photograph 2 offers three output choices that have an effect on how one can revisit your work later. The pixel layer possibility creates a standalone file with edits baked in, whereas uncooked layer choices (embedded or linked) protect modifying flexibility. Morganti demonstrates how one can transfer from the develop persona to the photograph persona, which opens up Photoshop-like performance for additional modifying. The non-destructive workflow preserves your authentic recordsdata whereas creating new recordsdata that may be considerably bigger than the originals, particularly when utilizing the embedded possibility. Try the video above for the complete rundown from Morganti.
